Role of Temporal Fine Structure and Envelope in Identifying Ragas: A Prospective Study for Temporal Based Raga Classifier
Abstract
Background and Aim: A raga is characterized by its distinctive melodic shape. The ability to perceive intricate melodic and pitch patterns depends on the Temporal Envelope (ENV) and Fine Structure (TFS). The present study aimed to understand the importance of temporal envelope and temporal fine structure cues in identifying ragas in Indian music.
Methods: Twenty - one adult’s musicians were included in the study. In experiment 1, professional musicians were involved in a raga identification task using music chimaeras. In experiment 2, the chimaeras were subjected to acoustic analysis using the envelope difference index, to understand better how the ENV and TFS changed depending on how many frequency bands were used to create the chimaeras. The subjective impression of a new group of trained musicians was then compared to these results. Friedman’s test and Wilcoxon tests were carried out.
Results: Results showed that both cues are crucial in a trade-off manner; when TFS are not significantly accessible, ENV aids in raga identification. It was reflected in experiment 1 as an increase in ENV scores and a decrease in TFS scores as the number of frequency bands increased. In experiment 2, the envelope difference index for ENV increases with a number of frequency bands, and it correlates with perceptual scores for ENV.
Conclusion: The current study highlights the perceptual role of temporal cues in raga identification and directs future work for a temporal-based raga classifier.
Moon IJ, Hong SH. What is temporal fine structure and why is it important? Korean J Audiol. 2014;18(1):1-7. [DOI:10.7874/kja.2014.18.1.1]
Moore BCJ. The roles of temporal envelope and fine structure information in auditory perception. Acoust Sci Technol. 2019;40(2):61-83. [DOI:10.1250/ast.40.61]
Ganguli KK, Rao P. On the perception of raga motifs by trained musicians. J Acoust Soc Am. 2019;145(4):2418. [DOI:10.1121/1.5097588]
Kumar V, Pandya H, Jawahar CV. Identifying ragas in indian music. In2014 22nd International Conference on Pattern Recognition 2014 Aug 24 (pp. 767-772). IEEE. [DOI:10.1109/ICPR.2014.142]
Shetty S, Achary KK. Raga Mining of Indian Music by Extracting Arohana-Avarohana Pattern. Int J Recent Trends Eng. 2009;1(1):362-6.
Gajjar K, Patel M. Computational Musicology for Raga Analysis in Indian Classical Music: A Critical Review. Int J Comput Appl. 2017;172(9):42-7.
Kirthika P, Chattamvelli R. A review of raga-based music classification and music information retrieval (MIR). In2012 IEEE International Conference on Engineering Education: Innovative Practices and Future Trends (AICERA) 2012 Jul 19 (pp. 1-5). IEEE. [DOI:10.1109/AICERA.2012.6306752]
Sridhar R, Geetha TV. Swara indentification for south indian classical music. In9th International Conference on Information Technology (ICIT’06) 2006 Dec 18 (pp. 143-144). IEEE. [DOI:10.1109/ICIT.2006.83]
Sridhar R, Geetha TV. Raga Identification of Carnatic music for Music Information Retrieval. Int J Recent Trends Eng. 2009;1(1):571-4.
Velankar M, Deshpande A, Kulkarni P. Melodic pattern recognition in Indian classical music for raga identification. Int J Inf Tecnol. 2021;13:251-8. [DOI:10.1007/s41870-018-0245-6]
Smith ZM, Delgutte B, Oxenham AJ. Chimaeric sounds reveal dichotomies in auditory perception. Nature. 2002;416(6876):87-90. [DOI:10.1038/416087a]
Shukla M. Dichotomies in the perception of speech. J Biosci. 2002;27(3):189-90. [DOI:10.1007/BF02704907]
Neelamegarajan D, Uttappa AK, Arpitha V, Khyathi G. Development and Standardization of ‘Questionnaire on Music Perception Ability’. Sangeet Galaxy. 2017;6(1):3-13.
Zentner M, Strauss H. Assessing musical ability quickly and objectively: development and validation of the Short-PROMS and the Mini-PROMS. Ann N Y Acad Sci. 2017;1400(1):33-45. [DOI:10.1111/nyas.13410]
Fortune TW, Woodruff BD, Preves DA. A new technique for quantifying temporal envelope contrasts. Ear Hear. 1994;15(1):93-9. [DOI:10.1097/00003446-199402000-00011]
Moore BC. The role of temporal fine structure processing in pitch perception, masking, and speech perception for normal-hearing and hearing-impaired people. J Assoc Res Otolaryngol. 2008;9(4):399-406. [DOI:10.1007/s10162-008-0143-x]
Ghitza O. On the upper cutoff frequency of the auditory critical-band envelope detectors in the context of speech perception. J Acoust Soc Am. 2001;110(3 Pt 1):1628-40. [DOI:10.1121/1.1396325]
Files | ||
Issue | Vol 33 No 4 (2024) | |
Section | Research Article(s) | |
DOI | https://doi.org/10.18502/avr.v33i4.16647 | |
Keywords | ||
Ragas envelope fine structure Indian music music information retrieval |
Rights and permissions | |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |